{"id":2576,"date":"2023-09-03T18:59:53","date_gmt":"2023-09-03T18:59:53","guid":{"rendered":"https:\/\/www.ensemblekuraia.es\/repertorio\/"},"modified":"2023-09-07T08:29:52","modified_gmt":"2023-09-07T08:29:52","slug":"repertorio","status":"publish","type":"page","link":"https:\/\/www.ensemblekuraia.es\/en\/repertorio\/","title":{"rendered":"Repertorio"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”4.21.0″ _module_preset=”default” use_background_color_gradient=”on” background_color_gradient_stops=”rgba(0,0,0,0.5) 0%|rgba(0,0,0,0.5) 100%” background_color_gradient_overlays_image=”on” background_image=”https:\/\/www.ensemblekuraia.es\/wp-content\/uploads\/2023\/09\/2208525-e1693741887327.jpg” background_position=”top_center” custom_padding=”4vw||4vw||true|false” collapsed=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.21.0″ _module_preset=”0691634e-971c-4f20-b84e-f7af88ca7aa6″ header_font=”Cormorant Garamond|||on|||||” header_text_color=”#FFFFFF” header_font_size=”70px” header_letter_spacing=”0em” text_orientation=”center” custom_margin=”||-2px|||” header_font_size_tablet=”40px” header_font_size_phone=”24px” header_font_size_last_edited=”on|desktop” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Repertoire<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”ACTUAL TEMPORADA” _builder_version=”4.20.0″ _module_preset=”default” background_color=”#000000″ collapsed=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” background_enable_color=”off” custom_padding=”32px||32px||true|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” background_enable_color=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”T\u00edtulo” _builder_version=”4.21.0″ _module_preset=”6f6bc3d5-0be1-40f8-80c9-5e7237d9ee3b” header_2_font=”Cormorant Garamond|||on|||||” header_2_text_color=”#FFFFFF” header_2_font_size=”32px” header_2_letter_spacing=”0.2em” header_2_line_height=”1.2em” header_2_font_size_tablet=”32px” header_2_font_size_phone=”20px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

OUR SELECTION<\/h2>\n

[\/et_pb_text][et_pb_button button_url=”\/wp-content\/uploads\/2023\/08\/Repertorio-Ensemble-Kuraia.docx.pdf” url_new_window=”on” button_text=”DOWNLOAD REPERTORY” _builder_version=”4.21.0″ _module_preset=”33cfa65e-f30c-4b74-9311-c8350efb7d2e” custom_button=”on” button_text_size=”14px” button_text_color=”#000000″ button_bg_color=”#FFFFFF” button_border_width=”0px” button_border_radius=”0px” button_letter_spacing=”0.2em” button_font=”Cormorant Garamond|700||on|||||” custom_padding=”16px|24px|16px|24px|true|true” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.21.0″ _module_preset=”default” background_color=”#FFFFFF” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”REPERTORIO” _builder_version=”4.21.0″ _module_preset=”d7c0b7a5-a9b1-413d-8724-514b8a035576″ text_text_color=”#000000″ text_font_size=”15px” text_line_height=”1.8em” header_3_font=”Cormorant Garamond|700||on|||||” header_3_text_color=”#ABA119″ custom_padding=”19px|38px|19px|38px|true|true” text_font_size_tablet=”15px” text_font_size_phone=”14px” text_font_size_last_edited=”on|desktop” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
COMPOSITOR<\/strong><\/td>\nOBRA<\/strong><\/td>\nPLANTILLA<\/strong><\/td>\nDURACI\u00d3N<\/strong><\/td>\n<\/tr>\n
\n

Xabier Adrien \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n<\/td>\n

Queda m\u00e1s<\/td>\nViolonchelo solo<\/td>\n5\u2019 \u00a0<\/td>\n<\/tr>\n
Hegoa<\/td>\npiano solo<\/td>\n6\u2019<\/td>\n<\/tr>\n
\n

Luca Belcastro \u00a0\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n<\/td>\n

Nero\u2026ma come del mare oc\u00e9ano<\/td>\npiano, flauta, clarinete, viol\u00edn y violonchelo<\/td>\n8\u2019<\/td>\n<\/tr>\n
Las mariposas bailan en la nada<\/td>\npiano, flauta, clarinete, viol\u00edn y violonchelo<\/td>\n7\u2019<\/td>\n<\/tr>\n
Bach-Maxwell Davies\u00a0<\/strong><\/td>\n\u00a0 dos preludios y fugas del \u201cclave bien temperado\u201d<\/td>\nFlauta, Clarinete, viola, violonchelo, clave y percusi\u00f3n<\/td>\n10\u2019<\/td>\n<\/tr>\n
Leonardo Balada<\/strong><\/td>\nCapricho n\u00ba 7<\/td>\nClarinete solista, piano, flauta, viol\u00edn y violonchelo<\/td>\n20\u2019<\/td>\n<\/tr>\n
Leo Brouwer<\/strong><\/td>\nPaisajes, retratos y mujeres<\/td>\nFlauta, viola y guitarra<\/td>\n19\u2019<\/td>\n<\/tr>\n
J.Cage\u00a0<\/strong><\/td>\n\u00a0 Seven<\/td>\nFlauta, clarinete, viol\u00edn, viola, violonchelo, piano y percusi\u00f3n<\/td>\n20\u2019<\/td>\n<\/tr>\n
C\u00e9sar Camarero \u00a0 \u00a0<\/strong><\/td>\nReverso 2<\/td>\n\u00a0Flauta, Clarinete, viol\u00edn, violonchelo, piano y percusi\u00f3n \u00a0<\/td>\n6\u2019<\/td>\n<\/tr>\n
Mikel Chamizo<\/strong><\/td>\nDanzas privadas<\/td>\nFlauta, clarinete, viol\u00edn, viola, violonchelo, guitarra, piano y percusi\u00f3n<\/td>\n15\u2019<\/td>\n<\/tr>\n
Burrumba<\/td>\nFlauta, Clarinete, \u00a0violonchelo, \u00a0percusi\u00f3n \u00a0<\/td>\n7\u2019<\/td>\n<\/tr>\n
Monotone de notre nuit<\/td>\nFlauta, Clarinete, \u00a0violonchelo<\/td>\n6\u2019<\/td>\n<\/tr>\n
Di l\u00ed a sei giorni<\/td>\nFlauta, Clarinete, viol\u00edn, violonchelo, piano<\/td>\n10\u2019<\/td>\n<\/tr>\n
Manuel De Falla<\/strong><\/td>\nPantomima y danza del Amor Brujo, arreglo del compositor<\/td>\n\u00a02 violines, viola, violonchelo, contrabajo, piano \u00a0<\/td>\n10\u2019<\/td>\n<\/tr>\n
\n

Luis De Pablo \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n<\/td>\n

Ep\u00edstola al transe\u00fante<\/td>\nFlauta, clarinete, viol\u00edn, viola, violonchelo, piano<\/td>\n20\u2019\u00a0<\/td>\n<\/tr>\n
Gemella dell\u2019 acqua<\/td>\nFlauta, clarinete,saxof\u00f3n, \u00a0viol\u00edn, \u00a0violonchelo, piano, percusi\u00f3n<\/td>\n15\u2019<\/td>\n<\/tr>\n
Un d\u00eda tan solo<\/td>\nFlauta, clarinete<\/td>\n7\u2019<\/td>\n<\/tr>\n
J.H.<\/td>\nClarimete, violonchelo<\/td>\n15\u2019<\/td>\n<\/tr>\n
Dibujos<\/td>\nFlauta, clarinete, viol\u00edn, \u00a0violonchelo.<\/td>\n12\u2019<\/td>\n<\/tr>\n
Solo-Kunst<\/td>\n\u00a0clarinete solo \u00a0<\/td>\n12\u2019<\/td>\n<\/tr>\n
David Del Puerto\u00a0<\/strong><\/td>\nAdvenit<\/td>\npiano, clarinete, viol\u00edn, violonchelo<\/td>\n15\u2019<\/td>\n<\/tr>\n
\u00c1gora<\/td>\nEnsemble<\/td>\n12\u2019<\/td>\n<\/tr>\n
Michael Daugherty<\/strong><\/td>\n\u00a0Sinatra Shag<\/td>\nFlauta, clarinete, viol\u00edn, violonchelo, piano y percusi\u00f3n<\/td>\n6\u2019<\/td>\n<\/tr>\n
Gabriel Erkoreka \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/td>\nIzaro<\/td>\nFlauta, Clarinete, viol\u00edn, violonchelo, piano<\/td>\n12\u2019<\/td>\n<\/tr>\n
Bizitza<\/td>\nVoz y ensemble<\/td>\n16\u2019<\/td>\n<\/tr>\n
Trance<\/td>\nOrquesta de c\u00e1mara<\/td>\n15\u2019<\/td>\n<\/tr>\n
Biribilketa<\/td>\nPiano, clarinete, violonchelo<\/td>\n6\u2019<\/td>\n<\/tr>\n
Hamar<\/td>\nPicc., cl. Bajo, perc., trpa, trbn, vln,vlc.<\/td>\n30\u2019<\/td>\n<\/tr>\n
Orreaga<\/td>\nFlauta, clarinete, viol\u00edn, violonchelo, guitarra, piano y percusi\u00f3n<\/td>\n10\u2019<\/td>\n<\/tr>\n
Ametsak<\/td>\nFlauta, Clarinete, viol\u00edn, violonchelo, piano<\/td>\n6\u2019<\/td>\n<\/tr>\n
Francisco Escudero<\/strong><\/td>\nTonemas<\/td>\nPiano solo<\/td>\n10\u2019<\/td>\n<\/tr>\n
Mitoen sinfonia<\/td>\nNarrador, coro y ensemble<\/td>\n45\u2019<\/td>\n<\/tr>\n
I\u00f1aki Estrada<\/strong><\/td>\nPrismas<\/td>\nClarinete bajo y ensemble<\/td>\n15\u2019<\/td>\n<\/tr>\n
Jorge Fern\u00e1ndez Guerra \u00a0\u00a0<\/strong><\/td>\nEspace bris\u00e8<\/td>\nflauta, clarinete, viol\u00edn y violonchelo<\/td>\n10\u2019<\/td>\n<\/tr>\n
P\u00e1nico en Wall street<\/td>\nFlauta, clarinete, viol\u00edn, violonchelo, piano<\/td>\n10\u2019<\/td>\n<\/tr>\n
Juan de Dios Garc\u00eda Aguilera<\/strong><\/td>\nA vista de p\u00e1jaro<\/td>\nFlauta, Clarinete, viol\u00edn, violonchelo, piano \u00a0<\/td>\n12\u2019<\/td>\n<\/tr>\n
Racconto in blu<\/td>\nFlauta, Clarinete, viol\u00edn, violonchelo, piano \u00a0<\/td>\n13\u2019<\/td>\n<\/tr>\n
Dante Grela<\/strong><\/td>\nCanto de oto\u00f1o<\/td>\nFlauta, clarinete, viol\u00edn, violonchelo, piano y percusi\u00f3n<\/td>\n20\u2019<\/td>\n<\/tr>\n
Francisco Guerrero<\/strong><\/td>\nDelta Cephei<\/td>\n2 clarinetes, viol\u00edn, viola y violonchelo<\/td>\n10\u2019<\/td>\n<\/tr>\n
R. Gerhard<\/strong><\/td>\nLibra<\/td>\nFlauta, clarinete, viol\u00edn, violonchelo, guitarra, piano y percusi\u00f3n<\/td>\n15\u2019<\/td>\n<\/tr>\n
\n

I\u00f1igo Giner \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n<\/td>\n

A trav\u00e9s \u00a0<\/td>\nFlauta, Clarinete, viol\u00edn, viola, violonchelo, piano y percusi\u00f3n<\/td>\n7\u2019<\/td>\n<\/tr>\n
Cuaderno de notas<\/td>\nFlauta, Clarinete, viol\u00edn, violonchelo, piano y percusi\u00f3n<\/td>\n15\u2019<\/td>\n<\/tr>\n
Gerard Grisey<\/strong><\/td>\nTalea<\/td>\nFlauta, clarinete, viol\u00edn, violonchelo, piano<\/td>\n17\u2019<\/td>\n<\/tr>\n
Sofia Gubaidulina<\/strong><\/td>\nConcordanza<\/td>\nOrquesta de c\u00e1mara<\/td>\n13\u2019<\/td>\n<\/tr>\n
Detto II<\/td>\nViolonchelo solista y orq. de c\u00e1mara<\/td>\n15\u2019<\/td>\n<\/tr>\n
Zuri\u00f1e F. Guerenabarrena \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/td>\nZorion<\/td>\nClarinete, viol\u00edn, violonchelo, piano y percusi\u00f3n.<\/td>\n6\u2019<\/td>\n<\/tr>\n
Artizar<\/td>\nClarinete y violonchelo \u00a0<\/td>\n7\u2019<\/td>\n<\/tr>\n
Txori erraria<\/td>\nFlauta, clarinete, viol\u00edn, violonchelo, piano y percusi\u00f3n<\/td>\n8\u2019<\/td>\n<\/tr>\n
Joan Guinjoan<\/strong><\/td>\nDiferencias<\/td>\nOrquesta de c\u00e1mara<\/td>\n11\u2019<\/td>\n<\/tr>\n
Gic 79<\/td>\nFlauta, clarinete, viol\u00edn, violonchelo, piano y percusi\u00f3n<\/td>\n13\u2019<\/td>\n<\/tr>\n
Aniversari<\/td>\nviol\u00edn, violonchelo<\/td>\n6\u2019<\/td>\n<\/tr>\n
Georg Haas<\/strong><\/td>\n\u00a0Tria ex uno<\/td>\nFlauta, clarinete, viol\u00edn, violonchelo, piano y percusi\u00f3n<\/td>\n12\u2019<\/td>\n<\/tr>\n
Toshio Hosokawa<\/strong><\/td>\nDrawning<\/td>\n8 instrumentos<\/td>\n13\u2019<\/td>\n<\/tr>\n
Vertical time study<\/td>\nClarinete, violonchelo, piano<\/td>\n10\u2019<\/td>\n<\/tr>\n
Stunden-Blumen<\/td>\nClarinete, viol\u00edn, violonchelo, piano<\/td>\n20\u2019<\/td>\n<\/tr>\n
F\u00e9lix Ibarrondo<\/strong><\/td>\nObsidienne<\/td>\nSaxo, clarinete, viol\u00edn, piano<\/td>\n12\u2019<\/td>\n<\/tr>\n
Ekain<\/td>\nVoz y ensemble<\/td>\n12\u2019<\/td>\n<\/tr>\n
D\u2019un souffle<\/td>\nFlauta, clarinete, viol\u00edn, violonchelo, piano<\/td>\n9\u2019<\/td>\n<\/tr>\n
Andr\u00e9 Jolivet<\/strong><\/td>\nSuite en concert<\/td>\nFlauta solista y 4 percusionistas<\/td>\n20\u2019<\/td>\n<\/tr>\n
M. Kagel<\/strong><\/td>\nPhantasiest\u00fcck<\/td>\nFlauta, \u00a02 Clarinetes, viol\u00edn, viola, violonchelo, piano \u00a0<\/td>\n17\u2019<\/td>\n<\/tr>\n
Rrrrr\u2026.5 jazzst\u00fccke<\/td>\nClarinete, viol\u00edn, piano<\/td>\n7\u2019<\/td>\n<\/tr>\n
Gy\u00f6rgy Kurt\u00e1g<\/strong><\/td>\nQuinteto de vientos op.2<\/td>\nFlauta, oboe, clarinete, fagot, trompa<\/td>\n9\u2019<\/td>\n<\/tr>\n
Ram\u00f3n Lazkano<\/strong><\/td>\nIzarren hautsa<\/td>\nFlauta, clarinete, viol\u00edn, \u00a0 violonchelo, piano y percusi\u00f3n<\/td>\n6\u2019<\/td>\n<\/tr>\n
Gy\u00f6rgy Ligeti<\/strong><\/td>\nKammerkonzert<\/td>\nOrquesta de c\u00e1mara<\/td>\n20\u2019<\/td>\n<\/tr>\n
Bagatelas \u00a0<\/td>\nQuinteto de vientos<\/td>\n12\u2019<\/td>\n<\/tr>\n
10 piezas para quinteto de vientos<\/td>\nQuinteto de vientos<\/td>\n15\u2019<\/td>\n<\/tr>\n
Liza Lim<\/strong><\/td>\nThe turning dance of the bee<\/td>\nFlauta, clarinete, viol\u00edn, \u00a0 violonchelo, piano y percusi\u00f3n<\/td>\n15\u2019<\/td>\n<\/tr>\n
\n

Octavio L\u00f3pez:\u00a0<\/strong><\/p>\n

\u00a0<\/p>\n<\/td>\n

Les regards inh\u00e9rents<\/td>\nFlauta, clarinete<\/td>\n6\u2019<\/td>\n<\/tr>\n
Octeto<\/td>\nFlauta, clarinete, viol\u00edn, viola, violonchelo, guitarra, piano y percusi\u00f3n<\/td>\n12\u2019<\/td>\n<\/tr>\n
J.M. L\u00f3pez L\u00f3pez \u00a0<\/strong><\/td>\nJenseits…dieseits<\/td>\nFlauta, clarinete, viol\u00edn, viola, violonchelo, piano y percusi\u00f3n<\/td>\n10\u2019<\/td>\n<\/tr>\n
Claudio LLuan\u00a0<\/strong><\/td>\nC\u00f3ndores<\/td>\nFlauta, Clarinete, viol\u00edn, viola, violonchelo, piano y percusi\u00f3n<\/td>\n12\u2019<\/td>\n<\/tr>\n
\n

Mar\u00eda Eugenia Luc \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0\u00a0<\/strong><\/p>\n<\/td>\n

You<\/td>\nFlauta, Clarinete, viol\u00edn, viola, violonchelo, piano y percusi\u00f3n<\/td>\n5\u2019<\/td>\n<\/tr>\n
Shen<\/td>\nFlauta, Clarinete, viol\u00edn, violonchelo, piano y percusi\u00f3n<\/td>\n10\u2019<\/td>\n<\/tr>\n
Centauros 2\u00a0<\/td>\npiano y electroac\u00fastica<\/td>\n6\u2019<\/td>\n<\/tr>\n
\u00a0Red<\/td>\nflauta en sol<\/td>\n8\u2019<\/td>\n<\/tr>\n
Xi<\/td>\nOrquesta de c\u00e1mara<\/td>\n10\u2019<\/td>\n<\/tr>\n
Mian<\/td>\nFlauta, clarinete, viol\u00edn, viola, violonchelo,piano \u00a0<\/td>\n8\u2019<\/td>\n<\/tr>\n
Eta hostoz hosto<\/td>\nFlauta, Clarinete, viol\u00edn, \u00a0violonchelo, piano \u00a0<\/td>\n6\u2019<\/td>\n<\/tr>\n
Forest<\/td>\nFlauta, clarinete, saxo, viol\u00edn,violonchelo,piano \u00a0<\/td>\n10\u2019<\/td>\n<\/tr>\n
Elena Mendoza<\/strong><\/td>\nNebelsplitter<\/td>\nViol\u00edn, viola, violonchelo, piano<\/td>\n15\u2019<\/td>\n<\/tr>\n
Olivier Messiaen<\/strong><\/td>\nQuatuor pour la fin du temps<\/td>\nClarinete, viol\u00edn, violonchelo, piano<\/td>\n50\u2019<\/td>\n<\/tr>\n
Luigi Nono<\/strong><\/td>\nPolifonica-Monodica-Ritmica<\/td>\nensemble<\/td>\n18\u2019<\/td>\n<\/tr>\n
Hilda Paredes<\/strong><\/td>\nCoraz\u00f3n de \u00f3nix<\/td>\nFlauta, Clarinete, viol\u00edn, violonchelo, piano , percusi\u00f3n<\/td>\n10\u2019<\/td>\n<\/tr>\n
Kaija Saariaho<\/strong><\/td>\nTerrestre<\/td>\nFlauta solista, percusi\u00f3n, arpa, viol\u00edn, violonchelo<\/td>\n10\u2019<\/td>\n<\/tr>\n
A. Schnittke \u00a0<\/strong><\/td>\nSeptimino<\/td>\nFlauta, 2 Clarinetes, viol\u00edn, viola, violonchelo, clave \u00a0<\/td>\n20\u2019<\/td>\n<\/tr>\n
\n
    \n
  1. Sch\u00f6nberg:\u00a0<\/strong><\/li>\n<\/ol>\n<\/td>\n
Sinfon\u00eda de C\u00e1mara n\u00ba1 (arreglo de A. Webern)-\u00a0<\/td>\nFlauta, Clarinete, viol\u00edn, violonchelo, piano \u00a0<\/td>\n22\u2019<\/td>\n<\/tr>\n
Pierrot lunaire<\/td>\nVoz y ensemble<\/td>\n50\u2019<\/td>\n<\/tr>\n
C\u00e1nones a tres voces<\/td>\nSet variable<\/td>\n5\u2019<\/td>\n<\/tr>\n
I.Strawinski \u00a0 \u00a0<\/strong><\/td>\nHistoria de un soldado \u00a0<\/td>\nVersi\u00f3n original e integral<\/td>\n60\u2019<\/td>\n<\/tr>\n
Historia de un soldado, suite \u00a0<\/td>\nReducci\u00f3n del autor parapiano, clarinete, viol\u00edn<\/td>\n20\u2019<\/td>\n<\/tr>\n
Pribaoutki<\/td>\nVoz y conjunto<\/td>\n5\u2019<\/td>\n<\/tr>\n
Tres canciones<\/td>\nVoz, fl., cl., vla.<\/td>\n6\u2019<\/td>\n<\/tr>\n
Javier Torres Maldonado<\/strong><\/td>\nHemisferios artificiales<\/td>\nFlauta, Clarinete, viol\u00edn, violonchelo, piano, percusi\u00f3n<\/td>\n10\u2019<\/td>\n<\/tr>\n
Victor Ullmann<\/strong><\/td>\nDer Kaiser von Atlantis<\/td>\n\u00d3pera de c\u00e1mara<\/td>\n60\u2019<\/td>\n<\/tr>\n
Mikel Urquiza<\/strong><\/td>\nIsiltzen denak<\/td>\nFlauta, clarinete, viol\u00edn, violonchelo, guitarra y percusi\u00f3n<\/td>\n6\u2019<\/td>\n<\/tr>\n
N.Velarde:\u00a0<\/strong>
\u00a0\u00a0<\/strong><\/td>\n		Del mar y sus orillas<\/td>\nFlauta, clarinete, viol\u00edn, viola, violonchelo, piano y percusi\u00f3n<\/td>\n6\u2019<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”MEGA FRASE” _builder_version=”4.21.0″ _module_preset=”default” background_color=”#ffffff” background_image=”https:\/\/www.ensemblekuraia.es\/wp-content\/uploads\/2023\/08\/Ensemble-Kuraia-02.AlvaroLedesma-e1692016295306.jpg” background_position=”top_left” custom_padding=”12vw||12vw||true|false” background_color_tablet=”rgba(255,255,252,0.84)” background_last_edited=”on|tablet” background_enable_color_tablet=”on” background_position_tablet=”center” background_position_phone=”center” background_blend_tablet=”overlay” global_module=”1398″ saved_tabs=”all” collapsed=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row custom_padding_last_edited=”on|tablet” _builder_version=”4.21.0″ _module_preset=”default” custom_padding=”|120px||120px|false|true” custom_padding_tablet=”|0%||0%|false|true” custom_padding_phone=”||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.20.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text admin_label=”T\u00edtulo” _builder_version=”4.21.0″ _module_preset=”6f6bc3d5-0be1-40f8-80c9-5e7237d9ee3b” header_2_font=”Cormorant Garamond|||on|||||” header_2_font_size=”48px” header_2_letter_spacing=”0.2em” header_2_line_height=”1.2em” text_orientation=”center” custom_margin=”||10px||false|false” header_2_font_size_tablet=”32px” header_2_font_size_phone=”20px” header_2_font_size_last_edited=”on|desktop” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Mar\u00eda Eugenia Luc<\/strong><\/h2>\n

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Nuestra prioridad\u00a0 es difundir las obras de los compositores de nuestro tiempo<\/strong> y dotarles de un conjunto profesional de excelente calidad con el cual colaborar estrechamente<\/p>\n

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Other projects<\/h2>\n

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